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Synopsis

Maria Callas, the greatest opera singer of the world, lives the last days of her life in Paris in the 1970s, facing her identity and life. Aristotle Onassis, a long-time companion of Maria Callas, later married the former first lady Jacqueline Kennedy. Kennedy was the hero of Pablo Larraín’s 2016 biopic Jackie, starring Natalie Portman. Maria Callas: Book me a table at a cafe where the waiters know who I am.

Angelina Jolie’s portrayal of Maria Callas is nothing short of mesmerizing

It is mentioned in the film “Close-up: why do we need the Venice Film Festival?” (2024). Here is a detailed review of *Maria*, directed by Pablo Larraín:— *Maria* Pablo Larraín is a fascinating exploration of the later life of Maria Callas, embodied with depth and nuance by Angelina Jolie in one of her most compelling performances. The film’s preview revealed a remarkable display of talent, both in front of and behind the camera. Exuding the vulnerability and strength of a famous opera singer, Jolie masterfully embodies Callas with a performance reminiscent of her early standout role in *Gia*.

An additional charm of the film is Ed Lachman’s cinematography, which once again proves his genius

Her expressive eyes and subtle but strong facial expressions carry the film, offering an intimate window into the complex world of Callas. Jolie strikes the perfect balance – her emotions never seem exaggerated, but they resonate with a deep intensity, completely engaging the audience. Known for his ability to turn films into visual masterpieces, Lachman gives *Maria* a painterly quality, creating walls that are both lush and challenging. The camera feels like an observer, capturing the majesty and melancholy of Callas’ world through a visual language that feels both timeless and deeply personal.

However, these minor flaws do nothing to detract from the film’s overall strength

However, while the acting and cinematography shine, the film’s pacing and script slightly detract from its overall impact. The narration sometimes lingers too long at certain moments, leaving the impulse to waver. While these slower segments give room for reflection, they can feel uneven in the gripping story. The emotional depth, visual splendor and Jolie’s transformative performance make *Maria* a cinematic experience worth revisiting.

It’s a poignant tribute to one of history’s greatest sopranos and a testament to Jolie’s enduring prowess as an actress

*Maria* is a film that I would watch again and again, not only because of its beauty, but also because it stays in my heart long after the credits roll.

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